We will start with the one that doesn’t really do anything for me. Disney announced the official subtitle of the
upcoming J.J. Abrams’ directed Star Wars
film. It is to be called The Force Awakens. The Internet went crazy yesterday with
opinions about the title, with one website going so far as to rank the Star Wars subtitles by greatness. That seems a little ridiculous, but I love
lists, so why not. It seems like most
people are aligning themselves against the subtitle, citing the Force as
something that doesn’t nap, but I really don’t think you can judge a film based
on its subtitle. That is just my opinion
though.
If the release of a subtitle has fans in this much of an uproar, I
dread what is going to happen if the teaser trailer doesn’t meet the standards
that moviegoers are expecting. There may
be rioting in the streets. Suicide by
light saber will become a thing. The
first trailer is expected to be released in December, probably with the next Hobbit
film, and a full-length trailer will likely be linked with the release of The Avengers next year.
Next up was the revelation that Pixar would be releasing a fourth
installment in the Toy Story
franchise. With such a successful
trilogy of films that not only put Pixar on the map, but helped solidify their
reputation as one of the greatest animated studios of all time, I’m actually a
little disappointed in this news. While
I am a staunch supporter of Pixar and the Toy
Story films, the trilogy ended perfectly and closed the chapter on Woody,
Buzz, and the rest of the gang. I’m sure
they could come up with another 10 stories about toys coming to life when
humans aren’t around, but releasing another movie in the series just doesn’t
seem necessary. Go out on a high note
and only use the characters in TV shorts and Christmas-specials.
The final interesting bit was the official synopsis and cast for
Quintin Tarantino’s The Hateful Eight. The plot sounds like a mashup of Tarantino
style and Agatha Christie mystery. The
press release from the Weinstein Company is as follows:
In The Hateful Eight, set six
or eight or twelve years after the Civil War, a stagecoach hurtles through the
wintry Wyoming landscape. The
passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue
(Jennifer Jason Leigh), race toward the town of Red Rock where Ruth, known in
these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers:
Major Marquis Warren (Samuel L. Jackson), a black former Union soldier turned
infamous bounty hunter, and Chris Mannix (Walton Goggins), a Southern renegade
who claims to be the town’s new sheriff.
Losing their lead on the blizzard, Ruth, Domergue, Warren, and Mannix
seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s they are greeted
not by the proprietor, but by four unfamiliar faces, Bob (Demian Bichir), who’s
taking care of Minnie’s while she’s visiting her mother, is holed up with
Oswaldo Mobray (Tim Roth), cowpuncher Joe Gage (Michael Madsen), and
Confederate general Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside
stopover, our eight travelers come to learn they may not make it to Red Rock
after all.
If you know anything about the history of this movie, you will be aware
that the original script was leaked online and Tarantino claimed he would never
go on to make the film. There was some
lawsuit threats made, but ultimately Tarantino backed down and decided to go
ahead with the film anyway, making some changes to the story.
I like the sound of this movie and am a fan in general of Tarantino,
but I wish Tarantino had actually stuck to his guns and shelved the picture for
all time, or at least a decade or so.
The reason I support not making the movie is that I wanted Tarantino to
teach the Internet a lesson in civility.
Not everything that is available should be put online. By not making the picture and denying the
public what sounds like an interesting concept for a Western movie, Tarantino
could have communicated to the world that it is not okay to make scripts not
yet in production available for viewing online.
I know that in the digital world we live in nothing is safe, but I also
think we have reached an extremen point in society where every film news
article has to start with Spoiler Alert. It has become quite annoying.
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