Following a recent late-night cinema-going outing to view Captain America: The Winter Soldier I
got to thinking about something involving comic book superheroes. What character flaws are found in today’s
superheroes, and does Captain America have any sort of negative traits?
The flawed hero is nothing new in literature or film, but the manifestation of a flawed comic book superhero in movies has become a new development in the past decade or so. Previously, our mutant/alien/superior-being protagonists have had to overcome only the villains diabolical plot and at the core they were everything good inherently found in mankind. This lack of a humanistic portrayal of our favorite super-powered hero was mostly a result of characterization not being very prevalent in the comic book genre prior to the turn of the century, but that doesn’t mean the personality defects weren’t always there.
Comic book readers have been dealing with individual character flaws in their favorite hero and over the course of countless issues those flaws were either overcome as the individual bettered themselves or were exacerbated by the circumstances that befell them. Yet, that sort of dark representation didn’t normally translate over to film until this genre of moviemaking became more “gritty” and “realistic” (you can read between the lines there and see I am mostly pointing toward Nolan’s Batman franchise as the epicenter of this movement).
The flawed hero is nothing new in literature or film, but the manifestation of a flawed comic book superhero in movies has become a new development in the past decade or so. Previously, our mutant/alien/superior-being protagonists have had to overcome only the villains diabolical plot and at the core they were everything good inherently found in mankind. This lack of a humanistic portrayal of our favorite super-powered hero was mostly a result of characterization not being very prevalent in the comic book genre prior to the turn of the century, but that doesn’t mean the personality defects weren’t always there.
Comic book readers have been dealing with individual character flaws in their favorite hero and over the course of countless issues those flaws were either overcome as the individual bettered themselves or were exacerbated by the circumstances that befell them. Yet, that sort of dark representation didn’t normally translate over to film until this genre of moviemaking became more “gritty” and “realistic” (you can read between the lines there and see I am mostly pointing toward Nolan’s Batman franchise as the epicenter of this movement).
Take Bruce Banner/Hulk for example. His obvious character trait that makes him an
imperfect hero is the temper. When
Banner becomes angry, the Hulk emerges.
The 1970s/80s television series was able to carry over the temper issue
Banner/Hulk had to deal with from page to screen, but it wasn’t generally used
as a character-driven device to better or worsen the man. Instead, it was a method of instigating
action. Obviously the Hulk movies of
today still lean heavily on the transformation into the Hulk for action
sequences, but when Bruce Banner is running around as the man, and not the
monster, the main focus is on his humanity and trying to control the beast
within.
It is clearly evident what Bruce Wayne/Batman struggles
with: guilt and anger, which both feed off one another creating a ruthless
cocktail of vengeance. For Spider-man, his arrogance seems to be a character
trait they focused on in the reboot starring Andrew Garfield. The Tony Stark/Ironman blemishes include
narcissism, which is dominant in every movie he makes an appearance, and
alcoholism. Logan/Wolverine is a hot
mess of raw, animalistic emotion, especially when it comes to rage.
Finally there is Clark Kent/Superman, the Boy Scout with
alienation issues (pun intended). You
might not think always doing the right thing would be a character flaw, but
Superman takes it to such an extreme level that even his most ardent fans
wonder whether he should sometimes bend the rules a little for the greater
good. Like Superman, Batman also has a
code of not killing. However, on film,
this ethos is occasionally circumvented by the quote “I won’t kill you … but I
don’t have to save you.” While that
technically goes against the “No Killing” rule, Batman understands that
sometimes death is the only proper punishment for the villain. This generally is only seen in the film
versions of these characters, as nobody, and I mean nobody, ever dies for good
in the comic books. Writers always find
a way to bring someone back from what appeared to be death.
But let’s get back to Superman. You might argue that Superman is seen killing
in his most recent film outing. I would
agree with that observation. That
definitely was not the Superman audiences had become accustomed to, but I think
that single act of killing is what puts this new version of Superman on the
path of the “No Killing” code.
Furthermore, once the code is in place for Superman, there is absolutely
no faltering from it. Once the Man of
Steel decides to go down that righteous path, he never breaks the vow, which
becomes a little monotonous. We know
Superman is going to win in the end, so there has to be some sort of internal
struggle for him to maintain fan interest.
Yet, the lack of having a characteristic flaw for Superman is his character flaw.
So this brings us to Steve Rogers/Captain America. Watching his latest film outing had me
wondering if he has any character flaws.
He loves America (obviously). He
seems to always stand up for what is morally right. Therefore, are there any conflicts he battles
within himself regarding some personality trait? I have not read up enough on Captain America
to know whether he struggles with the same type of things other superheroes,
like the ones on this list, do. Surely
over the course of 70 years of comic book issues some writer has established something
he deals with that makes him vulnerable and human, but from the three Marvel
movies that have featured Cap I have yet to see it. With the amount of films Marvel has lined up
for its future, surely we will come across some sort of defect that the
audience would be able to relate to. I
guess only time will tell.
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